Database Thailand

id	name	kind of work	region	time	material_technique	dimensions	method of acquisition	inventory_number	description	image	img1
id	name	kind of work	region	time	material_technique	dimensions	method of acquisition	inventory_number	description	image	img1
1	The Standing Buddha	Sculpture	Thailand	19th – early 20th century	Bronze, lacquer, gilding, glass	Height 68 cm, with parasol 93 cm	Purchase, private owner, 1949	16896ab	Standing Buddha with both arms bent at the elbow and palms turned outward to the viewer in the gesture of reassurance or dispelling fear, abhaya-mudra. He wears a tall crown with a pointed ending, jewels along the side of his ears, clothing with relief decoration. He has jewels on his torso, and decorations loosely suspended on his wrists. The pedestal is stepped, with the upper level in the shape of a lotus petal. A three-level parasol is attached from the rear side. The sculpture is a typical representative of the (Bangkok) Rattanakosin style.		https://buddhism.nm.cz/img/16896ab.jpg
2	The Buddha Protected by Muchalind	Sculpture	Thailand	19th century	Bronze, lacquer, gilding, glass	Height 10.5 cm	Purchase, Joe Hloucha, 1943	20832	With his hands in the meditation gesture of dhyana-mudra, the Buddha is seated on a lotus pedestal placed on a throne made of the coiled body of a serpent. He wears a monk’s robe, with short locks of hair indicated by lenticular shapes, the protuberance on the crown of his head tapers to a pointed ketumala ending. The serpent’s body continues upward behind the figure, and extends into seven serpent heads above the head of the Buddha. Bangkok (Rattanakosin) style.		https://buddhism.nm.cz/img/20832.jpg
3	The Standing Buddha	Votive plaque	Thailand	19th century	Fired clay, pressed into mould, lacquer, gilding	Height 21.2 cm, width 10 cm	Donation, Joe Hloucha, 1955	32754	Votive plaque with a figure of the Buddha standing on a lotus pedestal. His right arm is bent at the elbow, his palm is turned outward to the viewer in the gesture of reassurance or dispelling fear, abhaya-mudra, his left arm is by his side. He wears decorative clothing, jewels and a tall crown typical of the Bangkok (Rattanakosin) style of the 19th century. Terracotta to brownish fired clay, on the frontal face is gilding and brown lacquer, on the rear face red lacquer.		https://buddhism.nm.cz/img/32754.jpg
4	The Standing Buddha	Votive plaque	Thailand	19th century	Fired clay, lacquer, pressed into mould, gilding	Height 8.6 cm, width 4.2 cm	Transfer, Moravian Museum, Brno, 1988	A21213	Votive plaque with a figure of the Buddha standing on a stepped pedestal. The left arm is bent at the elbow, his hand in the gesture of reassurance or dispelling fear, abhaya-mudra, his right arm by his side. The figure is surrounded by an architectural frame topped with a pointed arch. Terracotta coloured fired clay, gilding on the rear face.		https://buddhism.nm.cz/img/A21213.jpg
5	The Buddha at the Moment of Awake	Votive plaque	Thailand	19th century	Fired clay, pressed into mould, gilding	Height 6.6 cm, width 4.3 cm	Transfer, Moravian Museum, Brno, 1988	A21214	Votive plaque topped with a pointed arch, widened at the bottom. In the centre is the seated Buddha in a monk’s robe, with his right hand in the gesture of touching the earth, bhumisparsha-mudra, and his left resting in his lap. He has an ushnisha protuberance on the crown of his head, above which is a bulbous shaped ketumala finial. Plaques with a similar design were probably produced as early as the 14th–15th century.		https://buddhism.nm.cz/img/A21214.jpg
6	The Buddha at the Moment of Awake	Votive plaque	Thailand	19th century	Fired clay, pressed into mould, gilding	Height 6.5 cm, width 4.5 cm	Transfer, Moravian Museum, Brno, 1988	A21215	Votive plaque topped with a pointed arch, widened at the bottom. In the centre is the seated Buddha in a monk’s robe, with his right hand in the gesture of touching the earth, bhumisparsha-mudra, and his left resting in his lap. He has an ushnisha protuberance on the crown of his head, above which is ketumala finial in the shape of a lotus bud. Gilding on the frontal face. Plaques with a similar design were probably produced as early as the 14th–15th century.		https://buddhism.nm.cz/img/A21215.jpg
7	The Standing Buddha	Sculpture	Thailand	ca. 18th century	Alloy with predominant copper content, gilding	Height 49 cm, with pedestal 56.7	Transfer, Moravian Museum, Brno, 1988	A21228	Standing Buddha with his right arm bent at the elbow and his palm turned outward to the viewer in the gesture of reassurance and protection, abhaya-mudra, his left arm is by his side. His head is slightly bowed, the locks of hair indicated with projections, the tip of the protuberance on the crown of his head is broken off. The wooden, stepped, rectangular shaped pedestal is covered with red lacquer and gilding. Transferred from the Moravian Museum. Originally donated by Joseph Haas, General Consul in Shanghai 1884–1896, acquired in Siam (modern day Thailand).		https://buddhism.nm.cz/img/A21228.jpg
8	Head of the Buddha	Sculpture	Thailand	14th–16th century	Bronze	Height 6.1 cm	Purchase, Joe Hloucha, 1943	16166	Head of the Buddha with a distinctively modelled face, highly arched eyebrows above downcast eyelids, a slightly hooked nose and full lips. The ears are pointed at the top. The hairstyle is indicated with shallow projections, the ketumala is in the form of a flame.		https://buddhism.nm.cz/img/16166.jpg
9	The Buddha at the Moment of Awake	Sculpture	Thailand	16th–18th century	Bronze, residues of gilding	Height 84 cm	Purchase, Joe Hloucha, 1943	16398	The seated Buddha at the moment of awakening, bodhi. His right hand is in the gesture of touching the earth, bhumisparsha-mudra, his left is resting on his foot. He has an ushnisha protuberance on the crown of his head, the hairstyle part is covered with regularly arranged projections and framed with a narrow band. He wears a monk’s robe. On the pedestal is a single band of lotus leaves.		https://buddhism.nm.cz/img/16398.jpg
10	The Standing Buddha	Sculpture	Thailand	19th – early 20th century	Bronze, lacquer, gilding, glass	Height 118 cm	Purchase, Joe Hloucha, 1943	16515ab	Standing Buddha with both hands in the gesture of reassurance and protection, abhaya-mudra. The protuberance on the crown of the head is semi-spherical, the hairstyle part is covered with regularly arranged projections. The monk’s robe has a fine relief of floral decoration. Octagonal four-level pedestal. Bangkok (Rattanakosin) style.		https://buddhism.nm.cz/img/16515ab.jpg